CMC In the News

NEWS: "Considering Matthew Shepard" pushes listeners to contemplate our shared humanity >

Lawrence Toppman,Charlotte Observer, September 11, 2019

The oratorio moves smoothly and restlessly through genres: classically structured numbers that suggest one of J.S. Bach’s passions, a native American-tinged lament, a country yodel, a gospel celebration. It starts with the life of Shepard, a University of Wyoming student when he died at 21, carries us through the killers’ trial — even asking us to consider what we have in common with them, however minimally — and ends with a reaffirming vision. The piece doesn’t just remember Shepard; it considers what his death might mean to us today.

REVIEW: Newly-Minted Charlotte Master Chorale Couples with NC Baroque Orchestra for Wonderful Messiah >

Perry Tannenbaum, CVNC, December 8, 2018

Though originally presented in a concert hall, I couldn't help feeling that the church, the authentic instruments, and the reduced orchestra brought us closer to the Messiah that Handel originally imagined – and what amazed Dubliners in 1742 actually heard. Compared to Belk Theater, which flings the sound of the chorus at us, First United seemed to cuddle, warm, and slightly mute the Master Chorale's sound before it wafted over the musicians' heads.

REVIEW: Charlotte Master Chorale Performs Messiah >

Lawrence Toppman,Charlotte Observer, December 8, 2018

Potter set the tone from the overture, which was lean and fleet, and this approach had benefits and drawbacks. On the positive side, it let soloists cope with long, florid passages in one breath. It showed off the chorus’ pyrotechnic skills: No matter how fast they went, diction and division of notes stayed clean. Numbers that required rage, terror or exuberance came off well.

NEWS: Meet the Charlotte Master Chorale (you may know them already) >

Lawrence Toppman,Charlotte Observer, December 5, 2018

That prospect has Potter, who took over leadership of this chorus in 2015, examining less-explored corners of the choral repertoire....“Charlotte’s a large enough place, with all its church choirs and people who appreciate choral music, that I think there’s a market for us,” he says. “We can do a big Brahms Requiem (which the chorale sang in November) or small Duruflé motets. My vision is that this will be a destination for singers and audiences to experience choral music in a fresh way.”

Charlotte Master Chorale presenting ‘Messiah’ in its entirety >

Brandy Beard,Gaston Gazette, December 4, 2018

The renown Charlotte Master Chorale is coming to Gaston County for a rare performance of Handel’s “Messiah” in an event organizers hope become an annual tradition....“I think there are plenty of people in Gastonia in my experience -- and I’m going to speak from the heart here as someone who has worked his whole adult life in Gaston County -- there is much appreciation for great music,” said Kenney Potter, artistic director and conductor of the Charlotte Master Chorale. “I’ve witnessed that firsthand.”

News Releases

Charlotte Master Chorale Meets $10K Challenge

Charlotte Master Chorale Meets $10K Challenge

On December 19, the Charlotte Master Chorale Board of Directors pledged $10,000 to match each and every gift made before December 31, 2018. Through generous support received from donors and friends, the Charlotte Master Chorale is pleased to announced that the organization exceeded its goal and raised $12,855.
Charlotte Master Chorale to present Handel's "Messiah"

Charlotte Master Chorale to present Handel's "Messiah"

The Charlotte Master Chorale, conducted by Dr. Kenney Potter, will perform Handel’s “Messiah” on Friday, December 7th and Saturday December 8th at First United Methodist Church in uptown Charlotte and on Sunday, December 9th at First Baptist Church of Gastonia.
Charlotte Master Chorale to Make Debut

Charlotte Master Chorale to Make Debut

The Charlotte Master Chorale launches its 2018-19 season with two performances of Johannes Brahms's Ein deutsches Requiem.

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