Stand Together


Postponed until February 2021


Due to the State of North Carolina's increased COVID-19 restrictions, and for the safety of our musicians and film crew, we are postponing the Unity Concert until February 2021. We look forward to sharing this exciting and important concert with you then.

PREMIERES ON

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Charlotte Master Chorale 
Charlotte Contemporary Ensemble Members
Kenney Potter, conducting

“Stand Together” is a virtual concert that reminds us that we are more alike than we are different, and that the only way for everyone to share in a brighter future is by standing together. The music for this virtual concert ranges from the contemplative to the joyous. It celebrates our shared humanity, provides a moment of peace, and fuels our resolve to finally become that shining city on a hill.

Gospel Mass
Robert Ray
In an interview with the Houston Chronicle, Ray said, “God controls everything I do. It was written in about a two-week period. The hard part for me was not being a formally trained composer. The creativity was a result of divine inspiration. He was working with me.“ He added that the piece strikes an ecumenical chord that allows "people of all denominations or faith to embrace the style.”

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No Color

Stacey V. Gibbs, Shawn Kirchner
From two very important composers of our time, the lyrics in this monumental work challenge ideas of racism and discrimination, while the music combines jazz and traditional choral techniques. No Color  offers choirs the chance to declare that "no color can come between us."

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Shalom

Dan Forrest
This tender and comforting work is a “passing of peace” as its simple yet elegant melody washes over the listener, gently unfolding its text with increasing texture: “Peace I leave with you, my peace I give to you, not as the world gives; do not be afraid.” The Hebrew word shalom  forms the refrains, and whispers of the word “peace” further paint the spirit and promise of the text.

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My Heart Be Brave

Music by Marques Garrett

Text by James Weldon Johnson

In the midst of discrimination, our heart—the core of our being—must lead us into rightful change. And as we continue doing right, the principles of honesty, love, and justice will give us the power to strive for what is due all of humanity.

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All of Us 
from Considering Matthew Shepard

Craig Hella Johnson
The final movement of Craig Hella Johnson's epic work is a tribute to the young gay man who has become a symbol for hope and redemption. With elements of hymnody, American folk, and gospel music, the power of this single movement will help lift you up and and add to your understanding.

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Tshotsholoza!
Traditional South African
"Shosholoza" is an Nguni song that was sung by the mixed tribes of miners mining gold in South Africa. The song is so popular in South African culture that it is often referred to as the country's second national anthem. The word Shosholoza or "tshotsholoza!" means go forward or make way for the next man. It is used as a term of encouragement and hope as a sign of solidarity. 


Lift Every Voice and Sing
Music by J. Rosamond Johnson
Text by James Weldon Johnson

Often referred to as the "Black national anthem" Lift Every Voice was written as a poem by James Weldon Johnson and set to music by his brother, J. Rosamond Johnson for Lincoln's birthday celebration in 1905. It is a prayer of thanksgiving for faithfulness and freedom, with imagery evoking the biblical Exodus from slavery to the freedom of the "promised land."

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America the Beautiful
Music by Samuel A. Ward
Text by Katharine Lee Bates

Katharine Lee Bates originally wrote the words as a poem, "Pikes Peak", first published in the Fourth of July edition of a church periodical in 1895. Ward had originally written the music, "Materna", for the hymn "O Mother dear, Jerusalem." Ward's music combined with the Bates poem was first published in 1910 and titled "America the Beautiful".

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